Ever heard of Buffalo Sunn? Probably not – but after several
successful years gigging as Sweet Jane, the band underwent a re-invention late
last year. The reemerged Buffalo Sunn, a six-piece “cosmic reverb rock band” had
built up a stellar live reputation in their previous outfit. They have appeared
on several of RTÉ’s shows as Sweet Jane, so it’s a bold move to go back to
square one. One listen to their latest offering tells me that it’s certainly no
bad thing. “By the Ocean, By the Sea” is a so-called debut album that showcases
not the wobbles of a starting-up band, but their years of experience. It’s a
record full of swagger and energy; the band has perfected the scuzzy,
sun-drenched sounds of the West Coast. It’s all swinging guitars, catchy
choruses and heartfelt lyrics…it’s a shock to the system to discover that the
band hail from our very own Dublin. The
six-piece take their music in a new direction, and this direction is a rich myriad
of indie-pop, shoegaze and rhythmic, guitar-led rock and roll.
Debut single “Seven Seas” is
oddly placed on the album, somewhere in the middle. It’s a sun-kissed guitar anthem,
much as I hate to use the term; perfect for lazy summer days, or indeed the
memories of them! Many of the songs on the album sound like this ;“Gimme
Truth”, in particular, sounds nostalgic
for a time and place that may have never existed. The vocals on this track
sound almost Oasis-lite, building to a big chorus and never losing the
aforementioned West Coast feel. The album rolls on happily in this vein for
some time, without veering into formulaic territory. Many comparisons have been
made in this review and in others – The Stone Roses, The Beach Boys and Gary
Numan to name but a few – but it is ultimately the sound of Buffalo Sunn,
uniquely itself.
The band does switch it up from
time to time, though. “Witches” is considerably more rock and roll than its
laid-back predecessors, tightly wound and intense. Songs like “Let It Go” are a
nice change in pace, too. As rock ballads go, it may not rival Aerosmith or
Guns’N’Roses, but it’s sweet and delicate, showcasing that Buffalo Sunn are
more than just a crew of riff-slinging, happy-go-lucky scamps. Got your
lighters ready? ‘Cos you should have.
Buffalo Sunn’s songwriting skills
should be applauded – every song on the ten-track album sounds meticulously
crafted, and there are no obvious “duds” or “fillers” here. It’s obvious that
the production of this album was a big deal. The band worked with Pat McCarthy,
a big-name producer who previously worked with REM and The Waterboys, and it
has resulted in a fine album, sounding big but not overblown. Keep an eye out
for these guys touring this album over the coming months – it’s not a sound
you’ll want to miss.
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