Thursday, November 6, 2014

I must be emo: article

Last week, I found my hard drive from when I was fifteen, circa 2008. It was every bit as bad as expected; My Chemical Romance, Green Day, Panic! At the Disco; you name it, the terrible emo past was there. My shameful, black-clad, dramatic emo past was not something unusual, however. In fact, I’d wager that there are thousands of twenty-somethings around Ireland right now who still know every word to “Welcome to the Black Parade”.
Looking back, my obsessions with pop-punk bands and stripy things weren’t all that original. I may have paraded sayings like “labels are for soup cans!” and “I’m not weird, I’m different!” but the reality was that my pink highlights emulated a dozen other girls I’d been stalking on Bebo. But that’s not something to criticise; at the ripe old age of twenty-one, I’ve decided to embrace my emo past. See, it’s easy to fob off teenage fads. Even now, my boyfriend tells me how utterly ridiculous I looked at fifteen, derisively snorting at my repeated denials that I never hung out at Central Bank. But teenage subcultures exist for a reason. From the post-war swinger set, through hippies, punks, mods and grungers, there’s always been a group to be a part of. Emo was ours; many a friend of mine has a Fall Out Boy poster buried under their bed. But we’re all mad to deny the same fact – “no, I was never EMO, I was cooler than that”. Objectively, “emo” was a fad characterised by a belief that you were different from the norm, more your own person than everyone else. And while that may have been characterised by questionable spelling and bad music, what of it? The “random” sixteen year old who embraces difference often grows up to be unique, tolerant and confident. I see nothing wrong with that.
Another element of the emo subculture we frequently forget about is how it pushed mental health among teenagers into the limelight. There were half a dozen Daily Mail articles published heralding emo as harmful to teenagers. Yes, self-harm was an utterly terrifying element of emo culture, which I will never understand. But to my recollections, it was also a time when we spoke about our feelings – “emo” is short for “emotional”, after all. Feelings may have been overblown and melancholy, but still; we spoke about them. I remember feeling confident and happy as an “emo kid”, but I still was able to speak out about feeling down, because that was…well, expected of me. I’m not saying being an emo kid was the key to my mental health – but it gave me the ability to speak out and speak up, because to an over-dramatic, black-clad teenager, no problem seemed too small. Maybe I’m a healthy by-product of the emo lifestyle, but to me, it seemed integral to helping me deal with adolescent issues.

So the next time you cringe at a photo of your fifteen year old self, think twice. It’s so easy to criticise the person you once were, without recognising the benefits of a certain way of living. So while I have no intentions of getting a fringe cut in, I will listen to My Chemical Romance with gay abandon, because to be honest, I wouldn’t be who I am without them. 

Why you should listen to Glass Animals

It’s too easy to get home from college and stick on Ed Sheeran’s latest album for the millionth time.  With streaming sites such as Spotify becoming more readily available, there’s no excuse for not checking out some of the most talented up and coming musicians of the day. I recommend you start with Glass Animals. After 2013’s highly-commended “Leaflings” EP, the group released debut album “Zaba” in June of this year. “Zaba” has received high praise across the board. The album is experimental, catchy and often downright weird, but they deserve every bit of hype coming their way. Written and produced by the band themselves, the album is just a taster of what the band are capable of.
Immense talent is something less bands have than you’d think; often hard graft and earworming will get otherwise untalented musicians some acclaim. Happily, this is not the case for Glass Animals, as “Zaba” showcases. The album is wildly, wonderfully varied; from the richness of lead single “Gooey” to the intoxicatingly groovy “Walla Walla”, there’s a lot to chew on here. Special effects (including what the band have admitted are pets chewing on microphones) and dizzying beats abound on “Zaba”, making it one of the weirdest releases of 2014. Happily, it’s pulled off with ablomb, sounding fresh and well-crafted. Glass Animals’ musicianship is a force to be reckoned with, with pounding drums vying with delicate strings on some tracks. What makes them stand out from a dozen indie bands is their ability to mash genres together; not only are there snatches of Radiohead and Foals in their debut, but many songs wouldn’t sound out of place on a Timbaland album. There’s a smoothness and groovy quality to their music that owes a lot to modern R’nB and hip hop. Strange? Yes. Listenable? Definitely. The band’s wackiness doesn’t end at their musicianship, however. Despite several listens, I’ll admit that I still have no idea what most Glass Animals lyrics are about. A particular standout is Bayley’s crooning about “peanut butter vibes” on “Gooey”. He has said in interviews that lyrically, the album is about tackling “the humanisation of nature and human interference with nature”, so whatever keeps him happy, I suppose…odd lyrics aside, the band’s ability certainly defies their youth.

The youth of Glass Animals shows elsewhere, however. Glass Animals’ set at Electric Picnic in September was sarcastically mentioned as the “gig thousands will lie about attending” and it’s for good reason. The gig – which took place in the middle of the day on a tiny stage – was a blistering one. The four-piece may not have strobe lights or special effects, but what they lack they make up for in energy. Frontman Tom Bayley leapfrogs around the stage; he’s not a talented dancer, he doesn’t let that stop him. Onstage antics aside, the songs sound much bigger in a live setting – “Pools”, in particular, becomes a stomper of stadium proportions that one just can’t help dancing to. It takes talent to produce a decent album; it takes even more to transfer that to the stage with the ferocity and vigour that Glass Animals do. But don’t take my word for it; they play The Academy in March 2015, and tickets are a cool seventeen euro. 

How to survive glandular fever: article

Among the phrases students don’t want to hear “your blood test indicates that you have glandular fever” is one of the most common. The so-called kissing disease is hugely prevalent in 10-25 year olds. We are, in fact, the group most likely to get it. Taking into account the student lifestyle of not enough food and a lot of kissing, it’s something more than a few of us have been struck down with. As a Glandular Fever Survivor, I’ve googled the disease extensively in the last few weeks, and here’s what I’ve discovered…

1.    Got the glange? Kiss goodbye to any makeout sessions. Glandular fever is spread through saliva, hence the name “the kissing disease”. While a patient is infectious for several weeks before and after the fever passes, they are at their most contagious with a fever. So, loving boyfriends and girlfriends out there: maybe leave your significant other in isolation for a while.
2.    Many of us get glandular fever and experience virtually no symptoms. The lucky ones with killer immune systems simply fight off the virus that causes glandular fever, rendering them immune to illness for the rest of their life. For the rest of us, EB virus means aches and pains, a sore throat, swollen glands and a general feeling of utter shiteness. The good news is, the painful element of glandular fever passes in 5-10 days. The bad news…

3.    You WILL be tired. While I’ve heard nothing but horror stories about the disease since I got it (kidney failure, liver failure, jaundice, hospitalisation, you name it), I mercifully have experienced little more than exhaustion. But my god, it’s exhaustion with a capital E. Showers, meals and even Netflix can prove too much for the glange-infected. So prepare yourself for a lot of naps. Even more bad news? This tiredness can last for up to two years after initial infection.

4.    More bad news: alcohol. Fond of a drink? Forget it for quite a while after glandular fever. Because of the virus’ effect on the body, alcohol can cause  a full-on relapse, or worse, liver damage. Doctors online recommend a six-week period between contraction of the virus and going back on the hard stuff, so even if you do feel better, it’s time to embrace the soft drinks.

5.    Unfortunately, there is little the medical profession can do for glandular fever. Because it’s a virus, antibiotics are useless against it, and no vaccine has come to the fore. Treatment of glandular fever involves a lot of sleeping (I spent two weeks on my sofa) and a lot of painkillers. Solpadeine is your best friend with glandular fever. Just be careful not to get addicted…

My glandular fever experience is, mercifully, almost over – unlike some unfortunate friends of mine, I am suffering only a few weird and debilitating side effects. So the next time someone’s tries to tell you that their cousin’s best friend’s teenaged daughter almost died from glandular fever, tell them about me, someone who has suffered no more ill-effects than two weeks off college and a Netflix dependency. 

Buffalo Sunn: album review


Ever heard of Buffalo Sunn? Probably not – but after several successful years gigging as Sweet Jane, the band underwent a re-invention late last year. The reemerged Buffalo Sunn, a six-piece “cosmic reverb rock band” had built up a stellar live reputation in their previous outfit. They have appeared on several of RTÉ’s shows as Sweet Jane, so it’s a bold move to go back to square one. One listen to their latest offering tells me that it’s certainly no bad thing. “By the Ocean, By the Sea” is a so-called debut album that showcases not the wobbles of a starting-up band, but their years of experience. It’s a record full of swagger and energy; the band has perfected the scuzzy, sun-drenched sounds of the West Coast. It’s all swinging guitars, catchy choruses and heartfelt lyrics…it’s a shock to the system to discover that the band hail from our very own Dublin.  The six-piece take their music in a new direction, and this direction is a rich myriad of indie-pop, shoegaze and rhythmic, guitar-led rock and roll.
Debut single “Seven Seas” is oddly placed on the album, somewhere in the middle. It’s a sun-kissed guitar anthem, much as I hate to use the term; perfect for lazy summer days, or indeed the memories of them! Many of the songs on the album sound like this ;“Gimme Truth”, in particular, sounds  nostalgic for a time and place that may have never existed. The vocals on this track sound almost Oasis-lite, building to a big chorus and never losing the aforementioned West Coast feel. The album rolls on happily in this vein for some time, without veering into formulaic territory. Many comparisons have been made in this review and in others – The Stone Roses, The Beach Boys and Gary Numan to name but a few – but it is ultimately the sound of Buffalo Sunn, uniquely itself.
The band does switch it up from time to time, though. “Witches” is considerably more rock and roll than its laid-back predecessors, tightly wound and intense. Songs like “Let It Go” are a nice change in pace, too. As rock ballads go, it may not rival Aerosmith or Guns’N’Roses, but it’s sweet and delicate, showcasing that Buffalo Sunn are more than just a crew of riff-slinging, happy-go-lucky scamps. Got your lighters ready? ‘Cos you should have.

Buffalo Sunn’s songwriting skills should be applauded – every song on the ten-track album sounds meticulously crafted, and there are no obvious “duds” or “fillers” here. It’s obvious that the production of this album was a big deal. The band worked with Pat McCarthy, a big-name producer who previously worked with REM and The Waterboys, and it has resulted in a fine album, sounding big but not overblown. Keep an eye out for these guys touring this album over the coming months – it’s not a sound you’ll want to miss. 

Why your bra could be making you sick: article

“What size bra are you?” I ask a friend, casually, planning a spectacular lingerie-themed birthday gift. “Um…I don’t know. 32B? 34B?” After a rummage in a drawer, she discovers that she is, in fact, a 34C. There you have it folks; one of my main bra problems, something I have longed to hashtag over the last few years. #BraProblems. There are many. Ill-fitting bras, uncomfortable bras, wired (or non-wired bras)…the list goes on. How can one cope? It’s a massive problem among young women that they wear the incorrect bra size; I know, because I’ve seen many a pal grab’n’go in the local Penneys. “Sure…this is close enough to the right size, isn’t it?” or worse still “it doesn’t really matter, though – my boobs look better all squashed in this one” In my youth, I was a 36C, and I was 100% certain of this from the ages of fourteen to nineteen. I ignored the weight gain, subsequent weight loss, going on the pill, growth spurts and numerous other things that affect a teenager in these years. I solidly, stupidly believed that this was my size for five years. It was only when I went for a bra fitting – on the spur of the moment, in a quiet Debenhams – that I discovered how, eh, massively wrong I was. At the time of writing, I’m well overdue a bra-fitting; I try to go at least yearly to ensure I’m wearing the right size. As far as I can tell, I’m in the minority in this.
 Now, I don’t want to get on my high horse at all here – but if there’s one thing that helps me love myself, it is well-fitted underwear. However, I’m not writing this article to condone spending all your wages on underwear; but the thing about the right bra (or indeed, the wrong one) is that it affects more than just your pocket. Ill-fitting bras have been linked to higher stress levels, stomach and back pain, headaches and having weird red strap lines all up your back.  It doesn’t have to be this way! According to a survey done recently, 70-80% of women are wearing the wrong bra size, be that for financial, physical or simply lazy reasons. We don’t go out in size eight clothing when we’re a size fourteen – why stuff your poor boobs into a 36C you’re not-so-clearly bursting out of? Eh, not that I speak from experience at all…
Why don’t we, as a nation, embrace the wonderful ladies of the fitting room? Perhaps it’s yet another symptom of the “Catholic hangover”; we ignore our body’s more “sexy” parts, buying the cheapest bra and hoping for the best. The issues of body confidence and embracing are a whole other ball game; one I won’t play here. On a practical level, we ignore bra-fitting because it’s an awkward thing to consider; a fitting room, a middle-aged lady and a measuring tape. I’m encouraging biting the bullet though --  it’s a free service that many department stores offer; like Marks and Spencer and Debenhams. While buying a new bra is encouraged in these places, it’s not necessary. Many a time have I wandered into M&S, had my bra size checked, and wandered out again, on my lunch break from college. Come payday, I like to treat myself, but it’s rarely in somewhere as expensive as a department store. It makes a world of difference to how you look and feel – dresses that formerly made me look like a lump have been pulled together nicely by one of my hero-bras. So rather than embracing “free the tatas” day and going without – go get fitted and buy yourself a decent bra. You’ll thank yourself in the long run.


Apartheid Free TCD: interview

Ciaran O’Rourke, TCD graduate and leader of the recently launched “Apartheid Free TCD” campaign wants a campus with a long history of taking a stance against apartheid to take the final step. Highlighting the work of several activists associated with Trinity (including Nelson Mandela, whom our Student Union offices are named after), he hopes to push for an end to TCD’s links with Israel. Speaking to Campus.ie, Ciarán O’Rourke shared with me his motivations and hopes for the campaign.
The campaign is two-pronged. Firstly, he desires Trinity to acknowledge the work done in the past by several illustrious TCD associates; people like Kadar Asmal and Mary Robinson ought to be honoured for “their inspirational work in supporting international human rights and ethical standards of education”.  This campaign runs on optimism; Mary Robinson is Chancellor of the university. Kader Asmal was co-founder of the Irish Anti-Apartheid Movement in 1963 and a former Law lecturer in TCD. He went on to be Minister for Education and Minister for Water affairs in post-apartheid South Africa. With a record like this, it’s all the more sinister that TCD are so deeply involved in Israeli affairs, and that’s what the campaign aims to highlight. TCD academics collaborated with Israeli academics “cultivating links with security firms and research institutions which actively contribute to Israeli apartheid rule in Palestine”. This story was broken by a TCD newspaper last year, but almost a year on, the campaign aims to take things a step further. His petition to end TCD’s links with an apartheid regime centre on the graduate end of the college, but he told me that actually  “the campaign is relevant to definitely undergraduates …but also, and perhaps even more pertinently, to lecturers and graduate students”. The overseas reputation of TCD is something that is pertinent to the campaign; academics who support the withdrawal of Israel from Palestine will see a complicity in Trinity, which could ultimately effect university links across the globe.
Response on social media has been strong, according to O’Rourke. While the numbers on Facebook, Twitter and Avaaz may be small at the moment, it is worth noting that the campaign is less than a week old. O’Rourke is confident in his ability to change the college for the better. He’s confident in the power of the petition; “the Apartheid-Free Campus Campaign taps into everything that this university stands  for. If enough people sign the petition, support the campaign, and speak out for ethical standards of education, as I think they will, then TCD will get back on track as a university of global standing and pioneering example. “With the horror of the occupation of Gaza and the West Bank over the summer still fresh in many minds, the Apartheid Free TCD campaign couldn’t come at a better time. You can sign the petition to members of the TCD board here, and like their Facebook page here.

Hozier: article

About twelve months ago, a black and white music video went viral. Featuring the heartbreaking story of an LGBT Russian couple, the video was “Take Me To Church”, by the then unknown Hozier. He chatted to Campus.ie last year about the song’s success; since then, his rise and rise is something I don’t remember seeing in quite a long time. Not only has he shot to fame here, but he has appeared on Ellen, Saturday Night Live and just this week hit the number two spot on the Billboard album chart in the states. As one headline I saw earlier put it “Hozier is officially a big deal”.
“A big deal” is putting it lightly. It’s fair to say that Ireland, as a nation, is completely enamoured with Hozier. His debut album, released about a month ago, reached platinum status within a week and I can’t remember the last time ten minutes passed without hearing “Sedated” or “Take Me To Church” on the radio. His sets at Longitude and Electric Picnic this summer will both go down in the histories of the festivals; notably the latter, where he apparently drew a bigger crowd than anyone before or since. The icing on the bluesy cake is perhaps his announcement of an Irish tour last week; five dates sold out in a matter of minutes, with tickets going for up to four hundred euro online. I think it’s fair to say that the nation is united in our obsession – even my granny likes him.
            Today, I found myself wondering what exactly it is about the 24 year old that pushes all our buttons. Is it his easy-going, almost shy demeanour in interviews? His ability to sing about James Joyce (in “Angel of Small Death”, his next single) and not sound pretentious? Or do we just keep home-grown talent close to our heart? Given the furious tweets from many Irish users when U2 released their latest drivel onto our iDevices, we can strike that last one.  It’s impossible to pinpoint why Hozier is so massive; but I can speculate that Hozier’s success is something to put our hopes in.  The island’s feverish radio-play of his singles as a remedy to our dire economic situation. As his success spirals, we are faced with more taxation, more charges – but as long as he’s pumping out songs and appearing on American television, we have something to be proud of. In the face of global economic crisis, we have produced these beautiful songs. It’s just a speculation – but it’s certainly nice to have something to be proud of.
More likely, however, is not the luck of the Irish, or the man himself, or our hideous finances. The reason we’re all so taken with Andrew Hozier-Byrne is simply because he’s one of the most talented artists to come out of anywhere in the last few years. His soulful voice, appreciation for both poppy hooks and bluesy melodies, and well-polished debut album make him a musical force to be reckoned with. For critics, he represents something young, new and interesting; for the rest of us, his songs are catchy as well as a little bit heart-breaking. He’s the musical equivalent of Pixar’s “Up” – critically acclaimed, superbly crafted and loved by everyone, especially your mum. Only time will tell if Hozier capitalises on his successes in 2014, but he should know that he has most of the country behind him every step of the way.